SpaceX has been paid on delivery of promised services, and their success rates are much higher. That’s the opposite of control; that’s the government stepping back from owning a company’s costs. Seems to work a lot better than the tight relationship Boeing and government have.
So basically, any time a company lets people go that’s stealing, and you want there to be a court thing that judges whether any particular loss was due to mismanagement or “genuine misfortune”?
That seems like a pretty extreme response to high delivery fees don’t you think?
They need access to a better place. I suppose they just get financially stuck in S Korea? Or do the move on to other countries too, more willing to give them a chance?
If you don’t already play with Ableton Live I highly recommend it. It’s got tons of signal-altering filters that you can chain together into pipelines and it’s great for developing an intuitive understanding of the connections between signal, waveform, sound, and perception.
Unpitched percussion instruments do have a pitch. Basically like everything else other than a sine wave generator, their sound is complex.
If you look at the fourier transform view of the signal, you’ll see a peak. Generally speaking that peak is the tone the thing makes.
This is why one recommended step in something like Ableton Live is to put a shaping filter on the drums, and then tweak the peak of that filter up and down until the drums either match or complement the tones of the notes.
I don’t. Sometimes I do an airport dropoff and then I head toward the waiting lot. But as I’m approaching the lot I just go to long term
parking instead, buy a ticket, and live in Thailand for a few weeks.