AnneTheWriter1 , to writers group
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  • dany_57987 ,
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    @AnneTheWriter1 @writers Apologies again. I did not have the context. Ok?

    AnneTheWriter1 OP ,
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    @dany_57987 @writers

    That's okay. You just left me scratching my head quite hard-- and I don't have a lot of hair left to keep it from being injured in the process. LOL

    qkall , to Showerthoughts
    @qkall@mastodon.social avatar

    I think it's interesting seeing people in the restroom. Like if it's just some number 1, conversation time. But if it's number 2, no eye contact, no words to be had. Like you're ashamed of your own poo baby. Be proud of that loaf bro... You made that with your own body.

    @showerthoughts

    qkall OP ,
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    @db2

    i'm not the one starting these convos, it's just an observation with my interactions.

    qkall OP ,
    @qkall@mastodon.social avatar

    @Anticorp

    i'm not the one starting these convos, it's just an observation with my interactions.

    b_rain , to comics group German
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    Die traurige Situation vieler gemeinnütziger Organisationen / NGOs.
    @comics https://rainking.de/2024/06/21/social-media-ngo/

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  • SnerkRabbledauber , to bookstadon group
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    @poets @writing @bookstadon

    Excerpt from Tales of the Incorrigible: A Song of Wood and Meat about a poet who lived the dream.

    The story takes place in an absurd far future. Ting was an acquaintance of both Greasly and Throom. Ting spoke often of his "poet friend". That's all you need to know for this.

    ===========
    Greasly told Throom the story of Brio Tojita. At the time that Ting knew Tojita, the poet was living comfortably off the proceeds from his best-selling poem “A Haiku Concerning the Fire Flowers of Southern Knurl As A Metaphor for the Endless Possibilities of Recombination.” In fact, Ting met the poet at a reception following a public reading marking the fiftieth anniversary of the poem’s publication and celebrating it as the most successful debut poem by a young left-handed poet in history, excepting two.

    At the reception, Ting asked Tojita to read some of his other poems. He was shocked at Tojita’s response: “There are no others.”

    Tojita had never written another poem. That evening Ting had heard Tojita’s entire corpus of work---all seventeen syllables of it. He carried in his mind the entire life’s work of a best-selling poet!

    Ting had told Greasly that he remembered it word for word, but even in an otherwise empty room on a ship in Flitzville, he would not recite it. The reason being that the poem’s publisher was Gatekeep and Gouge.

    Gatekeep and Gouge were notoriously keen on squeezing every last millimoola out of their properties. In the case of “A Haiku Concerning the Fire Flowers of Southern Knurl As A Metaphor for the Endless Possibilities of Recombination,” they completely removed it from print to better be able to control its distribution. Instead, they sent it out on reading tours every ten years. The rest of the time it was kept in the “G&G Vault,” safe from the eager eyes and ears of the public.

    ...

    “He never did tell you the poem?” Throom asked.

    “Never.”

    “I wonder if it was any good?”

    “Ting said it dragged a little in the middle but picked up at the end.”

    faab64 , to israel group
    AslynnRoe , to writers group
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    b_rain , to bookstodon group
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  • b_rain , to comics group German
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    Als ich noch im Einzugsbereich von Köln gewohnt hatte, bin ich oft an diesem Bahnhof vorbei gefahren. Höchste Zeit, mal einen Witz darüber zu machen.
    https://rainking.de/2024/05/31/ports/
    @comics

    b_rain , to comics group
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    b_rain , to comics group German
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