For what it's worth, the admins won't actually see that, they disabled responses on those messages. That's why it says "private moderator note", it's a note only the mod team can see
Goblin priestess of Tymora who's on a mission to free her people from their tyrant god Maglubiyet, and change hearts and minds for goblins in large cities through setting a personal good example.
Treant druid who's on the run from the authorities because she keeps planting knotweed in the foundations of various large buildings and temples. (I used the tortle lineage for stats)
Middle sibling from a noble family who is competing against all the other siblings to "earn the most money" by a set date, because the one who brings the most cash home gets the family inheritance. Decided "adventuring" had the best return for time spent.
Imprisoned Artificer who designed and built a robot (5e "nimblewright") that she could telepathically pilot - then sent it out to go recruit an adventuring party to rescue herself.
From the character concepts my favorite is the noble competing for gold and treasure. It's a fun twist on the I'm here for the money motivation.
The construct trying to save the master is cool as it can potentially lead to swapping characters after a while. But it's a bit main charactery for some campaigns.
It did lead to swapping characters, at level 6! I went from Warforged Artificer to Gnome "Inventor" (she's a wizard, but I reskin all of the spells as tinkered inventions)
As for the “main character-y” stuff… I basically hid the entire backstory from the group for 6 months of play, my character was worried that agents of her captors might track her down and put an end to her one shot at a rescue, and since their an organization with active spies all over the place, she was hiding everything until she was sure she could trust the group.
Over time, I told different characters part of the story, in confidence, which lead to (at one point) every other PC in the group having a completely contrasting explanation of what my “deal” was, under instructions to not tell anyone else.
Once I actually came clean and explained the situation to them, they organized a rescue op and saved her in 3 sessions. Less of a “main character” result and more of a “character side-plot” outcome - everyone else has their own personal side stories, and some of them are pretty involved…
My wife once played a Wizard with the Hermit background, and decided that the "secret she knew" was that she was a character in a game. She would periodically make references to older rule sets. Yes, THAC0 was name-dropped.
Edit: a bit more details on the blade: he melted the meteorite himself, however since the meteorite did not have any carbon and had a really high nickel content or would have make a terrible steel so he added a bit of carbon and some raw iron do dilute the nickel.
Except for that the blade is entirely made from the meteorite.
Yeah, that's part of the learning curve when moving from 5e to PF2. High AC in PF2 isn't about avoiding the hit, but avoiding the crit. If you're in melee you're getting hit lol
Gary didn't mess around. He loved putting the nastiest shit he could think of all over the damn place, seemingly to ensure players feared each and every die roll.
You have uttered many words that I do not understand since my ooga booga brain only knows pen and paper and digital tablet 😃👍, but that is a cool workflow
btw checked your other art out, now I wish Lemmy had a follow feature, it's so cute!!!
Bristol Board is a super-smooth super-white kind of paper with a very high weight - it's cardstock weight. The main advantages of bristol board is that it's very smooth and very white. The reason I use this is so that my very hard pencil doesn't leave "dents" in the paper surface. If you try drawing a shape on regular paper with a hard pencil, then erase the pencil, and shade over with colour pencils, you'll see a white ghost of your pencilwork, because the paper has a dent that the colour pencil doesn't reach - it's like a rubbing of your pencil sketch. Bristol board is very hard-wearing, so I can erase my pencils and it stays smooth.
Pigment liners are a special kind of "drawing pen" - they're much cheaper then engineering pens (e.g. the Rotring rapidograph), they tend to cost somewhere between $1 and $2, depending on brand and quality. They feel like drawing with a felt-tip, but the tip of the pen is very precise and gives you an equal width line all the way along the stroke. The ink is permanent and very black, so you can wait a minute for it to dry, then erase the pencil sketch from underneath it. (The left image of the paladin above is pencil sketch work, the middle image is the ink pen after erasing the pencil.) - The most well known brand of Pigment liners is "Sakura Pigma Micron" (commonly called "Microns") - but I don't like that brand, so I use Mitsubishi Uni-Pins and Derwent Graphiks.
Coloursoft pencils are a fairly uncommon type of acrylic colouring pencil - they differ from regular colouring pencils because they have a higher wax content in the pencil lead. This makes them very soft to draw with, and they put down a large amount of very vibrant colour very quickly. (This is ideal for cartooning, but not great if you want to do watercolour style sketches.) - The other advantage that coloursofts have is that the formulation of the lead allows you to sharpen it to a very sharp point (see the green pencil in my image.) - This is great for detail work, or if you draw small. (I draw small.) Coloursofts also have quite a large range of colours and shades that you can get out of a single pencil - The metal on that paladin image is just two grey coloursoft pencils, one light, and one dark. The big disadvantage of coloursofts is that they don't blend well, and they don't erase at all - so you've got to know what you're aiming for before you start.
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