camilla_hoel ,
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  • camilla_hoel OP ,
    @camilla_hoel@hcommons.social avatar

    January:
    13. Sumaya Jirde Ali’s (amazing) Et liv i redningsvest: dagboksopptegnelser om norsk rasisme. A book in my own language about the insisious nature of Norwegian racism as experienced by a girl and young woman born in Somalia.
    23: Rivers Solomon’s The Unkindness of Ghosts. Afro-futurist SF that deals intelligently with race, class, and gender.
    1: Samuel Delany’s Driftglass. SF short story collection in which he explores a number of ideas he later turns into books, but also some he doesn’t.
    18: Joe Succo’s Palestine. A graphic non-fiction treatment of the first intifada and life in Palestine at the time.
    @bookstodon

    image/png
    Cover of Samuel R. Delany’s Driftglass
    Cover of Joe Succo’s graphic journalism, Palestine.

    camilla_hoel OP ,
    @camilla_hoel@hcommons.social avatar

    @bookstodon February:
    6: Rana Ayyub’s The Gujarat Files: an account of investigating into police behaviour in Gujarat and violence against muslims.
    14: Pankaj Sekhsaria’s Islands in Flux: the Andaman and Nicobar Story. A collection of journalism on the modern colonisation and exploitation of the islands and the resultant genocide/ecocide.
    16: Jessikka Aro’s Putin’s Trolls. An account of the backlash she received when covering the Internet Research Agency, and how the regime uses information warfare against its critics.
    11: N. K. Jemisin’s The World We Make. The second in her duology on living cities. Total send-up of Lovecraft and xenophobes more generally.

    Cover of Islands in Flux
    Cover of Putin’s Trolls
    Cover of The World We Make

    camilla_hoel OP ,
    @camilla_hoel@hcommons.social avatar

    @bookstodon March:
    2: Angela Y. Davis’ excellent Autobiography. From growing up on Dynamite Hill to studying under Adorno in Frankfurt and Marcuse in California while organising all sorts of amazing protests. A manifesto of seeing people in statistics of oppression.
    4: Adania Shibli’s En liten detalj (Minor Detail), which got her banned from the Frankfurt book fair. A Palestinian perspective on the Apartheid state.
    7: Sun-Mi Hwang’s The Dog Who Dared to Dream, which is predictably depressing in new and interesting ways.
    22: Esi Edugyan’s excellent Washington Black, which was not what I expected (the sky ship on the cover gave me the wrong idea), but which gives an idea of the horror of escaping slavery only to fall into a world which still does not accept your equal humanity.

    Cover of The Dog Who Dared To Dream, white with coloured trees and a small black dog.
    Showing the cover of Esi Edugyan’s Washington Black, with illustrations of a kind of sky boat under a balloon.

    camilla_hoel OP ,
    @camilla_hoel@hcommons.social avatar

    @bookstodon April:
    20: Shehan Karunatilaka’s amazing The Seven Moons of Maali Almeida, set in the afterlife in Sri Lanka in the 90s.

    3: Prayaag Akbar’s Leila, which gives a dystopian extrapolation of Indian nationalism and follows the logic of purity/separation.

    Cover of Leila, title given kn red letters on a pale photo pf a person playing by the waves.

    camilla_hoel OP ,
    @camilla_hoel@hcommons.social avatar

    @bookstodon May:
    21: Vauhini Vara's The Immortal King Rao, in which Steve Jobs and Bill Gates are preempted by the Coconut corporation, and the world still goes to hell.

    8: Parismita Singh's excellent short story collection Peace Has Come, telling stories of life under ceasfire and curfew and not-quite-peace.

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