aaronesilvers , to ActuallyAutistic group
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pansytram , to blackmastodon group
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Black Opry, a blog-turned-movement focusing on Black roots musicians, is fundraising to help cover the costs of expanding their work! Please chip in if you're able, and share it around.

https://gofund.me/c2cbc008

@blackmastodon

mythopoetica , to AcademicChatter group
@mythopoetica@hcommons.social avatar

Hi Masto, I'm home. The day began with the wind and rain which had me wanting to listen only to The Cure during my commutes and while I was prepping for class. Can the eyeliner be far behind. I jest. My eyes are far too sensitive for eye makeup these days and all of my fancy eye makeup palettes are going to waste.

It was an okay day. Another Drama Lab with my Oral Literacy MA Students. Their big project for this semester is connected to The Lady's Not For Burning. My approach to Oral Literacy is Oral Literacy x Pop Culture x Performance Studies. I'm enjoying it! I always enjoy teaching performance as it takes me back to some of those roots (I did two years of a performance studies x literature PhD before I defected fully to lit to be a Gothic scholar)

@academicchatter

booktweeting , to bookstodon group
@booktweeting@zirk.us avatar

“MEKONG DELTA BLUESMAN” Son Vo tells the story of his life both offstage and on. From an early childhood in Saigon to a hardscrabble life in Maine to discovering his gift for music, Vo relates some wild adventures in a voice full of warmth and hope. B PLUS

https://www.barnesandnoble.com/w/tales-of-the-mekong-delta-bluesman-son-hoang-vo/1144215403?ean=9798868916854

@bookstodon

TheConversationUS , to histodons group
@TheConversationUS@newsie.social avatar

The famous song is a send-off fit for a king! It was originally written for the coronation of King Edward VII in 1901, but evolved to be used during ceremonies for accomplished graduates.

The interesting :
https://theconversation.com/how-a-british-military-march-became-the-distinctive-sound-of-american-graduations-230060

@histodons

lebelge , to Jazz group
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giorgiolucas , to Fediverse News
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pivic , to bookstodon group
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https://bookwyrm.social/book/1628641/s/rebel-girl

I've just started reading Kathleen Hanna's autobiography, 'Rebel Girl'. I'm 5% in and it's enthralling, in a few different ways, as you can tell from the quotes.

@bookstodon

I want to tell you how I write songs and produce music. How singing makes me feel connected to a million miracles at once. How being onstage is the one place I feel the most me. But I can’t untangle all of that from the background that is male violence. I wish I could forget the guy who stalked me while I was making my solo record. How he sat on the roof of the building across from mine and looked into my windows with binoculars as I worked. How he told my neighbors he thought I was a prostitute who “needed to be stopped.” I wish I could slice him out of my story as a musician, but I can’t. I also don’t want this book to be a list of traumas, so I’m leaving a lot of that on the cutting room floor. It’s more important to remember that I’ve seen ugly basement rooms transform into warm campfires, dank rock-bro clubs become bright parties where girls and gay kids and misfits danced together in a sea of freedom and joy, art galleries that had only ever showcased white male mediocrity become sites of thrilling feminist collaborations. I also ate gelato on a street in Milan with my bandmates and cried because it tasted THAT FUCKING GOOD. But yeah, there were also rapes and run-ins with assholes who threw water on my shine. I keep trying to make my rapes funny, but I have to stop doing that because they aren’t. I want them to be stories because stories are made up of words, and words can’t hurt me.
I had hair down to my butt in the second grade, but my mom got sick of washing it, took out her sewing shears, and gave me the ugliest short haircut imaginable.
My sister was always in trouble, and not just because she was bullied at school and screamed back at men—but because she had a father who stared at her like she was a Playboy Bunny and not his own daughter. When they fought, which was often, it sounded like cats fighting, if the cats were a teenage girl and a full-grown man. All I wanted to do was escape that sound. I spent a lot of time on our front stoop with my hands over my ears, trying to make a facial expression that was the equivalent of writing “help” in a fogged-up window.

lebelge , to Jazz group
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lebelge , to Jazz group
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lebelge , to Jazz group
@lebelge@mathstodon.xyz avatar

@jazz

Mário Laginha – piano
https://en.wikipedia.org/wiki/M%C3%A1rio_Laginha

Bernardo Moreira – double bass
Alexandre Frazão – drums

"Jaganda"
(Edition Records 2022)
https://songwhip.com/mariolaginha/jangada


lebelge , to Jazz group
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rchopgood , to writers group
@rchopgood@creativewriting.social avatar

:
Roaming . Always learning (or falling ass-backwards into) what it means to be (a fool?)
Here for & all the other crap that leads the escape (or traps us?).


Cherish the & embrace the

@writers

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